Don't miss out on the TIMELESS Pink Floyd album below. Here are a list of all of Pink Floyd's songs ranked. Two BAFTA Awards were given to a Waters-written musical film based on The Wall's Pink Floyd-The Wall, based on The Wall's album. Waters became the band's most popular and commercial success with the albums The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall. They released two charting singles and a charting debut album, The Piper at the Gates of Dawn, under Barrett's direction. Pink Floyd was founded by students Syd Barrett, Nick Mason, Roger Waters, and Richard Wright. Gaining early following as one of the first British psychedelic bands, they were known for their extended compositions, sonic experimentation, poetic interpretation, and elaborate live shows, and became a leading brand of the progressive rock genre. Lovely guitar solo from Gilmour too.These five individuals are one of the most well-known geniuses of their time, with Roger Syd' Barrett, Roger Waters, Nick Mason, Richard Wright, and David Gilmour. A perfect example of how Floyd can bring two entirely different moods to a song and somehow make it work. It takes over two minutes of nonetheless worthwhile, drum-oriented intro for the recognisable vocal melody to kick in. But it’s loveliness defeats any doubts.įamously starting with all kinds if chiming timepieces, Waters explained that the lyric was prompted by a sudden realisation in his late 20s that he was now in the thick of life rather than preparing for it. On an album that wears its technological modernity on its sleeve, this is a weirdly straightforward tune to cough up as early as track two. It seems to almost – if not beg us, then at least cajole us – to take the time truly to live life. Of course it’s a classicĪ beautiful, seductive and languid intro lures the listener into an almost dreamlike state. The band fall back towards familiar territory once Dave Gilmour starts to wig out and then we’re suddenly back where we started, lick-wise. Yet Floyd take traditional patterns and weave something new out of them. Wright’s electric piano stabs have a faint whiff of Booker T about them, and the sax solo is decidedly get-down groovy. Roger Waters’ walking bass takes the Floyd as close to funky as these distinctly white boys were ever likely to get. It actually feels quite seductive, which isn’t a word you’d normally associate with Floyd.Ī song so globe-straddlingly famous now that it’s almost impossible to critique with anything approaching objectivity. Sax solos, lovely lingering piano fills, big choruses, crazy little talking additions. But as it starts to take shape, it suddenly starts to show off its vast range of colours. This track captures both emotions perfectly.Ĭlearly a song often heard by Radiohead, it does that deceptive thing of starting off sounding like nothing much at all. Death can perhaps be seen as both comforting and unnerving. However, when Clare Torry suddenly decides to make her own voice sound like an instrument and unleashes those famous sounds from somewhere uncharted and deep within her soul, well, we’re now listening to something entirely different. How Wish You Were Here was the beginning of the end for Pink FloydĪ sensitive contemplation of death that ends up in a place you’d never expect given the pretty keyboards that Richard Wright brings to the tune’s first minute.The Top 10 Most Underrated Pink Floyd Songs.Every Pink Floyd Album, Ranked From Worst to Best.Another song that demands multiple listens. But again, the band look to add at least some sonic comfort via Wright’s lush organ swells. The line “ The lunatic is in my head” and the accompanying cackling is somewhat unnerving. It certainly has to ability to give you the sweats, and is probably best left alone if you’re in an advanced state of paranoia.Īt least in part inspired by former member Syd Barrett’s mental health issues, Floyd reach back to their former cohort’s vocal stylings for this song’s effect. An instrumental that builds on a sequenced synth pattern, it’s allegedly a musical interpretation of keyboardist Richard Wright’s acknowledged fear of flying. In complete contrast to preceding track, Breathe, this is Floyd getting sonically way out there. There’s something valedictory going on here, almost as if the band wanted to let us know they knew they were onto something big here. Segueing in from previous track Brain Damage to close out the album, Eclipse does feel like a coda, a musical and vocal summing up of everything we’ve heard on the album.
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